Face-to-face conversation and dialogue are defining features of South Asian traditional texts, rituals and practices. Not only has the region of South Asia always consisted of a multiplicity of peoples and cultures in communication with each other, but also performed and written dialogues have been indelible features within the religions of South Asia; Hinduism, Buddhism, Jainism, Sikhism and Islam are all multi-vocal religions. Their doctrines, practices and institutions have never had only one voice of authority, and dialogue has been a shared tactic for negotiating contesting interpretations within each tradition.
This series examines the use of the dialogical genre in South Asian religious and cultural traditions. Historical inquiries into the plurality of religious identity in South Asia, particularly when constructed by the dialogical genre, are crucial in an age when, as Amartya Sen has recently observed, singular identities seem to hold more destructive sway than multiple ones. This series approaches dialogue in its widest sense, including discussion, debate, argument, conversation, communication, confrontation and negotiation. Opening up a dynamic historical and literary mode of analysis, which assumes the plural dimensions of religious identities and communities from the start, this series challenges many outdated assumptions and representations of South Asian religions.