1st Edition

Al-Ghazālī and the Idea of Moral Beauty

By Sophia Vasalou Copyright 2022
    88 Pages
    by Routledge

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    Al-Ghazālī and the Idea of Moral Beauty rethinks the relationship between the good and the beautiful by considering the work of eleventh-century Muslim theologian Abū Ḥāmid al-Ghazālī (d. 1111).

    A giant of Islamic intellectual history, al-Ghazālī is celebrated for his achievements in a wide range of disciplines. One of his greatest intellectual contributions lies in the sphere of ethics, where he presided over an ambitious attempt to integrate philosophical and scriptural ideas into a seamless ethical vision. The connection between ethics and aesthetics turns out to be a signature feature of this account. Virtue is one of the forms of beauty, and human beings are naturally disposed to respond to it with love. The universal human response to beauty in turn provides the central paradigm for thinking about the love commanded by God. While al-Ghazālī’s account of divine love has received ample attention, his special way of drawing the good into relation with the beautiful has oddly escaped remark. In this book Sophia Vasalou addresses this gap by offering a philosophical and contextual study of this aspect of al-Ghazālī’s ethics and of the conception of moral beauty that emerges from it.

    This book will be of interest to scholars and students in Islamic ethics, Islamic intellectual history, and the history of ethics.

    1. Introduction  2. The Place of Aesthetic Experience in al-Ghazālī’s Ethics  3. The Good and/as the Beautiful in Context  4. Moral Beauty and the Paradigm of Disinterested Love  5. A Conflict in al-Ghazālī’s Ethics?  6. Resolving the Conflict: An Interpretive Toolbox  7. Concluding Comment


    Sophia Vasalou is a Senior Lecturer in Philosophical Theology at the University of Birmingham. Her research focuses on philosophical and theological ethics in the Islamic world. Her published works include Moral Agents and Their Deserts: The Character of Muʿtazilite Ethics (2008), Schopenhauer and the Aesthetic Standpoint: Philosophy as a Practice of the Sublime (2013), and Wonder: A Grammar (2015).