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Ashgate Interdisciplinary Studies in Opera: Ashgate Interdisciplinary Studies in Opera


About the Series

The Ashgate Interdisciplinary Studies in Opera series provides a centralized and prominent forum for the presentation of cutting-edge scholarship that draws on numerous disciplinary approaches to a wide range of subjects associated with the creation, performance, and reception of opera (and related genres) in various historical and social contexts. There is great need for a broader approach to scholarship about opera. In recent years, the course of study has developed significantly, going beyond traditional musicological approaches to reflect new perspectives from literary criticism and comparative literature, cultural history, philosophy, art history, theatre history, gender studies, film studies, political science, philology, psycho-analysis, and medicine. The new brands of scholarship have allowed a more comprehensive interrogation of the complex nexus of means of artistic expression operative in opera, one that has meaningfully challenged prevalent historicist and formalist musical approaches. The Ashgate Interdisciplinary Studies in Opera series continues to move this important trend forward by including essay collections and monographs that reflect the ever-increasing interest in opera in non-musical contexts. Books in the series are linked by their emphasis on the study of a single genre - opera - yet are distinguished by their individualized and novel approaches by scholars from various disciplines/fields of inquiry. The remit of the series welcomes studies of seventeenth century to contemporary opera from all geographical locations, including non-Western topics.

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Opera Outside the Box Notions of Opera in Nineteenth-Century Britain

Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain

1st Edition

Forthcoming

Edited By Roberta Montemorra Marvin
November 11, 2022

Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic "experiences" outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and ...

Claudio Monteverdi’s Venetian Operas Sources, Performance, Interpretation

Claudio Monteverdi’s Venetian Operas: Sources, Performance, Interpretation

1st Edition

Forthcoming

Edited By Ellen Rosand, Stefano La Via
June 30, 2022

Claudio Monteverdi’s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi’s late operas from an interdisciplinary perspective.  The premise of the volume is the idea that constructive ...

Contextualizing Melodrama in the Czech Lands In Concert and on Stage

Contextualizing Melodrama in the Czech Lands: In Concert and on Stage

1st Edition

By Judith A. Mabary
April 29, 2022

The mention of the term "melodrama" is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous. Few are aware that there exists a type of ...

The Original Portrayal of Mozart’s Don Giovanni

The Original Portrayal of Mozart’s Don Giovanni

1st Edition

By Magnus Tessing Schneider
November 16, 2021

The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his ...

The Operas of Rameau Genesis, Staging, Reception

The Operas of Rameau: Genesis, Staging, Reception

1st Edition

Edited By Graham Sadler, Shirley Thompson, Jonathan Williams
September 30, 2021

In recent years, interest in Rameau’s operas has grown enormously. These works are no longer regarded as peripheral by performers and audiences but are increasingly staged in the world’s major opera houses and festivals, while the production of first-rate recordings on CD and DVD continues to ...

Digital Scenography in Opera in the Twenty-First Century

Digital Scenography in Opera in the Twenty-First Century

1st Edition

By Caitlin Vincent
September 16, 2021

Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography’s dramaturgical possibilities and establishes a critical framework for identifying and comparing the...

Curating Opera Reinventing the Past Through Museums of Opera and Art

Curating Opera: Reinventing the Past Through Museums of Opera and Art

1st Edition

By Stephen Mould
February 10, 2021

Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, ...

The Operatic Archive American Opera as History

The Operatic Archive: American Opera as History

1st Edition

By Colleen Renihan
April 28, 2020

The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera’s powerful ...

Einstein on the Beach: Opera beyond Drama

Einstein on the Beach: Opera beyond Drama

1st Edition

Edited By Jelena . Novak, John Richardson
December 19, 2019

Philip Glass and Robert Wilson’s most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both ...

The Grand Theater of the World Music, Space, and the Performance of Identity in Early Modern Rome

The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome

1st Edition

Edited By Valeria De Lucca, Christine Jeanneret
September 16, 2019

Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of ...

Puccini’s La fanciulla del West and American Musical Identity

Puccini’s La fanciulla del West and American Musical Identity

1st Edition

By Kathryn M. Fenton
September 04, 2019

On 10 December 1910, Giacomo Puccini’s seventh opera, La fanciulla del West, had its premiere before a sold-out audience at New York City’s Metropolitan Opera House. The performance was the Metropolitan Opera Company’s first world premiere by any composer. By all accounts, the premiere was an ...

Performing Homer: The Voyage of Ulysses from Epic to Opera

Performing Homer: The Voyage of Ulysses from Epic to Opera

1st Edition

Edited By Wendy Heller, Eleonora Stoppino
June 25, 2019

The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid ...

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