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Ashgate Popular and Folk Music Series

About the Series

Popular musicology embraces the field of musicological study that engages with popular forms of music, especially music associated with commerce, entertainment and leisure activities. The Ashgate Popular and Folk Music Series aims to present the best research in this field. Authors are concerned with criticism and analysis of the music itself, as well as locating musical practices, values and meanings in cultural context. The focus of the series is on popular music of the twentieth and twenty-first centuries, with a remit to encompass the entirety of the world’s popular music.

Critical and analytical tools employed in the study of popular music are being continually developed and refined in the twenty-first century. Perspectives on the transcultural and intercultural uses of popular music have enriched understanding of social context, reception and subject position. Popular genres as distinct as reggae, township, bhangra, and flamenco are features of a shrinking, transnational world. The series recognizes and addresses the emergence of mixed genres and new global fusions, and utilizes a wide range of theoretical models drawn from anthropology, sociology, psychoanalysis, media studies, semiotics, postcolonial studies, feminism, gender studies and queer studies.

138 Series Titles

Per Page

European Film Music

European Film Music

1st Edition

By David Burnand, Miguel Mera
September 28, 2006

The vast majority of writing on film music is concentrated on Hollywood in particular and on a canon of North American scores and films more generally. Recent scholarship acknowledges other traditions of film scoring but little has been written about European film music specifically. Miguel Mera ...

Performance and Popular Music History, Place and Time

Performance and Popular Music: History, Place and Time

1st Edition

Edited By Ian Inglis
February 28, 2006

Since the emergence of rock'n'roll in the early 1950s, there have been a number of live musical performances that were not only memorable in themselves, but became hugely influential in the way they shaped the subsequent trajectory and development of popular music. Each, in its own way, introduced ...

The Music and Art of Radiohead

The Music and Art of Radiohead

1st Edition

Edited By Joseph Tate
April 28, 2005

The Music and Art of Radiohead provides compelling close readings of the English band's music, lyrics, album cover art and music videos as well as critical commentary on interviews, reviews and the documentary film Meeting People is Easy. Established and emerging academic scholars engage with ...

Madonna's Drowned Worlds New Approaches to her Cultural Transformations, 1983–2003

Madonna's Drowned Worlds: New Approaches to her Cultural Transformations, 1983–2003

1st Edition

By Santiago Fouz-Hernández, Freya Jarman-Ivens
July 20, 2004

Madonna is perhaps one of the most consistently transgressive and self-transforming artists of the late 20th and early 21st centuries. The recent release of two critically acclaimed and best-selling albums and a sold-out world tour have renewed media and academic interest in the artist. Madonna ...

The English Traditional Ballad Theory, Method, and Practice

The English Traditional Ballad: Theory, Method, and Practice

1st Edition

By David Atkinson
August 21, 2002

Ballads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The ...

Settling the Pop Score Pop Texts and Identity Politics

Settling the Pop Score: Pop Texts and Identity Politics

1st Edition

By Stan Hawkins
February 28, 2002

The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still find uncomfortable - that commercial production and consumption can be aligned with artistic ...

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