The Ashgate Studies in Theory and Analysis of Music After 1900 series celebrates and interrogates the diversity of music composed since 1900, and embraces innovative and interdisciplinary approaches to this repertoire. A recent resurgence of interest in theoretical and analytical readings of music comes in the wake of, and as a response to, the great successes of musicological approaches informed by cultural studies at the turn of the century. This interest builds upon the considerable insights of cultural studies while also recognizing the importance of critical and speculative approaches to music theory and the knowledge-producing potentials of analytical close readings. Proposals for monographs and essay collections are welcomed on music in the classical tradition created after 1900 to the present through the lens of theory and analysis. The series particularly encourages interdisciplinary studies that combine theory and/or analysis with such topical areas as gender and sexuality, post-colonial and migration studies, voice and text, philosophy, technology, politics, and sound studies, to name a few.
Concepts of Time in Post-War European Music
By Aaron Hayes
October 30, 2020
Concepts of Time in Post-War European Music gives a historical and philosophical account of the discussions of the nature of time and music during the mid-twentieth century. The nature of time was a persistent topic among composers in Paris and Darmstadt in the decades after World War II, one which...
By Martin Čurda
June 25, 2020
The Czech composer Pavel Haas (1899–1944) is commonly positioned in the history of twentieth-century music as a representative of Leoš Janáček’s compositional school and as one of the Jewish composers imprisoned by the Nazis in the concentration camp of Terezín (Theresienstadt). However, the nature...
By Laura Emmery
November 27, 2019
Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain...
Edited By Ian Pace, Nigel McBride
May 21, 2019
The composer and pianist Michael Finnissy (b. 1946) is an unmistakeable presence in the British and international new music scene, both for his immeasurable generosity as prolific composer for many different types of musicians, major advocate for the works of others, and performer and conductor who...
By Peter Edwards
February 07, 2019
György Ligeti’s Le Grand Macabre (1974–77, revised 1996) has consolidated its position as one of the major operatic works of the twentieth century. Few operas composed since the 1970s have received such numerous productions, bringing the eclectic score to a global audience. Famously dubbed by ...
By Matthew Arndt
September 13, 2017
This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker’s and Schoenberg’s inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in ...