1. Introduction 2. Analysis: Anton Webern, Concerto Op. 24, m. 38–40 3. Duration and eternity: Messiaen’s time categories 4. Analysis: Olivier Messiaen, ‘Ile de Feu I’ from Quatre Études de rythme 5. Continuity: Boulez’s smooth time and its mathematical negotiations 6. Analysis: Pierre Boulez, Improvisations sur Mallarmé II—‘Une dentelle s’abolit’ 7. The unity of time: Stockhausen’s engagement with acoustics 8. Analysis: Karlheinz Stockhausen, Zeitmaße 9. Trauma: Goeyvaerts and Adorno on musical stasis 10. Analysis: Karel Goeyvaerts, Sonata for two pianos, movements II–III 11. Spacetime: Xenakis and the end of the discourse on musical time 12. Analysis: Iannis Xenakis, Nomos Alpha
Biography
Aaron Hayes is an independent scholar who teaches music in Northern Idaho. He completed his PhD in music at Stony Brook University in New York, 2016.
