Colonialism, Race, and the French Romantic Imagination  book cover
1st Edition

Colonialism, Race, and the French Romantic Imagination

ISBN 9781138820852
Published September 11, 2014 by Routledge
192 Pages

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Book Description

This book investigates how French Romanticism was shaped by and contributed to colonial discourses of race. It studies the ways in which metropolitan Romantic novels—that is, novels by French authors such as Victor Hugo, George Sand, Bernardin de Saint-Pierre, François René de Chateaubriand, Claire de Duras, and Prosper Mérimée—comprehend and construct colonized peoples, fashion French identity in the context of colonialism, and record the encounter between Europeans and non-Europeans. While the primary texts that come under investigation in the book are novels, close attention is paid to Romantic fiction’s interdependence with naturalist treatises, travel writing, abolitionist texts, and ethnographies.

Colonialism, Race, and the French Romantic Imagination is one of the first books to carry out a sustained and comprehensive analysis of the French Romantic novel’s racial imagination that encompasses several sites of colonial contact: the Indian Ocean, North America, the Caribbean, West Africa, and France. Its archival research and interdisciplinary approach shed new light on canonical texts and expose the reader to non-canonical ones. The book will be useful to students and academics involved with Romanticism, colonial historians, students and scholars of transatlantic studies and postcolonial studies, as well as those interested in questions of race and colonialism.

Table of Contents

Note on Translations


Introduction: Shaping the Colonial Subject in the Romantic Age

1. The White Native

Insularity, "Indigenism" and Incest: the Paradoxes of Paul et Virginie


2. The Métis

Plotting Colonial Intimacies: the Miscegenated Subjects of the Romantic Novel


3. The Disciplined Savage

Old Losses, New Constructs: Chateaubriand and the Reinvention of the American Indian

4. The Black Aristocrat

Ourika, or, Comment peut-on être noire?


5. The Rebellious Slave

Black Spartacus: Colonial Revolt and Romantic Masculinities


Epilogue: The Legacy of Romantic Colonialism




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Pratima Prasad is Assistant Professor of French, University of Massachusetts-Boston.