This volume presents a comprehensive overview of multimodal approaches to curriculum and programmatic implementation across a diverse range of teaching environments and across geographic and cultural boundaries. Featuring contributions from scholars within and across both disciplines, the book examines the ways in which new technologies link to expanding definitions of literacy and, building on this, how multimodal approaches might most effectively address the unique opportunities and challenges instructors face in contemporary classrooms and professional development programs. Chapters draw on case studies from both existing scholarship and findings from the authors’ own experiences in practice, including examples from writing, rhetoric, and composition courses, open online learning courses, and interdisciplinary faculty training programs. The final section of the book showcases how the conversation might be further extended to address increasingly multilingual classrooms by exploring how multimodality has been implemented in transnational settings. Engaging with key questions at the intersection of programmatic and curricular development and multimodal studies, this book is a fundamental resource for graduate students and scholars in multimodality, rhetoric studies, language education, applied linguistics, and communication studies.
Introduction: Perspectives on Designing and Implementing Multimodal Curricula and Programs J. C. Lee and Santosh Khadka Part I: Multimodality in the Classroom Chapter 1: Braving Multimodality in the Composition Classroom: An Experiment to Get the Process Started Dawn Lombardi Chapter 2: Transforming Curriculum: Re-seeing Rhetoric through a Multimodal Lens Kim Haimes-Korn and Kendra Hansen Chapter 3: The PPPP’s of a POOC: Personal, Participatory, Professional, Points of Presence, in an Open Online Course Daniel Schafer and Paul Muhlhauser Chapter 4: United We Stand, Divided We Fall: An Argument for Universal Design for Learning (UDL) Mariana Grohowski Part II: Professional and Institutional Development for Multimodal Instruction Chapter 5: Surveying the Available Modes of Persuasion Rory Lee Chapter 6: The Place of Multimodal Curriculum for Instructors, Departments, and Institutions Alex Gulecoglu Chapter 7: Initiating Multimodal Training: Faculty Development for Creating and Assessing Assignments Lindsay Ann Sabatino and Brenta Blevins Chapter 8: Interdisciplinary Faculty Training Experiences in Multimodal Composition Sarah Summers, Janie Szabo, and Ella L. Ingram Chapter 9: Implementing Digital Storytelling Across the Curriculum at a Small Liberal Arts College Erica Yozell, Crystal Fodrey, and Meg Mikovits Part III: Extending the Conversation: Implementing Multimodality in Multilingual and International Classrooms Chapter 10: Is the Language of Comics Universal?: Using Comics to Teach Material Rhetoric in a Transnational Context Aaron Kashtan Chapter 11: Mode-Switching: Multimodal Pedagogy in the Multilingual Composition Classroom Bethany Anne Monea and Juliana Pybus Chapter 12: The Potential and Pitfalls of Multimodality in English Composition Pedagogy Anni Grigoryan Chapter 13: Multimodal Composition in a First-Year Writing Course in a Colombian University Karen López-Gil and Violeta Molina-Natera (Translated by Nelson Jasac Castillo Narváez) Chapter 14: Listen Carefully and You Will Hear: Using Creative Multimodal Assessments to Promote Student Expression Maha Bali and Hoda Mostafa
Edited by Kay O'Halloran, Routledge Studies in Multimodality aims to advance knowledge of multimodal resources such as language, visual images, gesture, action, music, sound, 3-D artefacts, architecture and space, as well as the ways these resources integrate to create meaning in multimodal objects and events.