1st Edition

Early Modern Improvisations Essays on History and Literature in Honor of John Watkins

Edited By Katherine Scheil, Linda Shenk Copyright 2024
    244 Pages 8 B/W Illustrations
    by Routledge

    244 Pages 8 B/W Illustrations
    by Routledge

    With a panoramic sweep across continents and topics, Early Modern Improvisations is an interdisciplinary collection that analyzes the relationship between early modern literature and history through lenses such as gender, ethnicity, sexuality, religion, and politics.

    The book engages readers interested in texts that range from Shakespeare and Tudor queens to Anglican missionary work in North America; from contemporary feminist television series to Ancient Greek linguistic and philosophical concepts; from the delicate dance of diplomatic exchange to the instabilities of illness, food insecurity, and piracy. Its range of contributions encourages readers to discover their own intersections across literary and historical texts, a sense of discovery that this collection’s contributors learned from its dedicatee, John Watkins, a major literary and cultural historian whose work moves effortlessly across geographical, temporal, and political borders. His work and his personality embody the spirit of creative improvisation that brings new ideas together, allowing texts and figures of history to haunt later eras and encourage new questions.

    This volume is aimed at scholars and students alike who wish to explore early modern culture and its reverberations in ways that engage with a world outside the grand narratives and centralized institutions of power, a world that is more provisional, less scripted, and more improvisational.

    Introduction: Of Gentle Deeds and Generative Improvisations

    Katherine Scheil and Linda Shenk

     

    1. “Sad Stories of the Death of Queens”: Elizabethan Beginnings and Endings

    Helen Hackett

     

    2. Queen Elizabeth’s Seneca

    Curtis Perry

     

    3. “Not By Blood”: Queenship in All Is True (Henry VIII)

    Ariane M. Balizet

     

    4. Dangerous Wombs: Pregnant Bodies in Early Modern Drama and History

    Anna Riehl Bertolet

     

    5. Mothers and Forced Marriages in the Later Middle Ages

    Ruth Mazo Karras

     

    6. Cultural Production, Familiarity, Race, and the 1682 Embassies from Morocco and Banten to England

    Tracey A. Sowerby

     

    7. “The Excellent Civil Policy of the Jesuits…Deserves our Imitation”: Anglican Missionaries, Native Americans, and the Jesuit Utopia of Paraguay

    Diego Pirillo

     

    8. Between Diary, Comedy, and Diplomatic Report. Writing in the Midst of the Italian Wars: Francesco Vettori’s Viaggio in Alamagna, 15071515

    Isabella Lazzarini

     

    9. Shakespeare’s Italian Loves: Petrarch, Boccaccio, Ariosto in Much Ado About Nothing

    Heather James           

     

    10. The Arcadian History of Romeo and Juliet

    Charles Ross

     

    11. Ghosting Shakespeare in Hulu’s Harlots

    Marcela Kostihova

     

    12. "We Must be Gentle Now We are Gentlemen": The Complex Concept of Kaloskagathos

    Susan O. Shapiro

     

    13. Ruinations: Petrarch in Rome, Navagero in Granada

    Barbara Fuchs

     

    14. Life-Writing Dapifers: Early Modern Women as Textual Stewards

    Julie A. Eckerle

     

    15. "If You can Mock a Leek, You can Eat a Leek": Cultural Resonances in Shakespearean Foodstuffs

    Sheila T. Cavanagh

     

    16. “A Body Yet Distempered”: Being Sick at Home in Shakespeare’s 2 Henry IV

    Geraldo U. de Sousa

     

    17. The Punishment of Pirates in the Medieval Mediterranean

    Kathryn Reyerson

     

    18. The Russians Are Coming, The Russians Are Coming: Anglo-Russian Interplay in the English Renaissance

    Carole Levin

     

    Afterword: Early Modern Literary and Historical Improvisations: Towards a Generative Historicism

    Katherine Scheil and Linda Shenk

    Biography

    Katherine Scheil, Professor of English, University of Minnesota, writes on Shakespeare and women, including Imagining Shakespeare’s Wife: The Afterlife of Anne Hathaway (2018) and She Hath Been Reading: Women and Shakespeare Clubs in America (2012). She is finishing a book on the history of women in Stratford-upon-Avon.

    Linda Shenk, Professor of English, Iowa State University, conducts transdisciplinary research on collaborative storytelling—from Elizabethan drama, diplomacy, and court culture to co-creating climate resilience among researchers and communities. She has published in ELR, WIREs Climate Change, Environmental Humanities, and Explorations in Renaissance Culture.