1st Edition

Exploring Intersemiotic Translation Models A Case Study of Ang Lee's Films

By Haoxuan Zhang Copyright 2023
234 Pages 34 B/W Illustrations
by Routledge

234 Pages 34 B/W Illustrations
by Routledge

234 Pages 34 B/W Illustrations
by Routledge

This volume sets out a new paradigm in intersemiotic translation research, drawing on the films of Ang Lee to problematize the notion of films as the simple binary of transmission between the verbal and non-verbal. The book surveys existing research as a jumping-off point from which to consider the role of audiovisual dimensions, going beyond the focus on the verbal as understood in... Read more

Introduction 1. The state of the art 2. A paradigm of intersemiotic translation 3. Framework and research methodology 4. Home intersemiotic translation models (A1 IST models) 5. Foreign intersemiotic translation models (A2 IST models) 6. Intercultural concatenation of intersemiotic translation models Conclusion; Appendix; Bibliography; Filmography; Index 

Biography

Haoxuan Zhang received his PhD in Translation Studies from the School of Modern Languages and Cultures, Durham University, UK. His research interests include intersemiotic translation, film studies, and Chinese studies. He is also an established translator and an independent film director.

"Zhang has produced a lucid study of intersemiotic translation, carefully reviewing its assumptions and testing them through a closer analysis of some of Ang Lee's canonical films. Everyone interested in translation and cultural theory is bound to find something new and intriguing in this book." - Galin Tihanov, George Steiner Professor of Comparative Literature, Queen Mary University of London

"With meticulous attention to filmic details, Haoxuan Zhang’s methodologically sophisticated account juxtaposes the conceptual model of intersemiotic translation and Ang Lee’s internationally acclaimed works to produce a new kind of cinematic object—a dynamic assemblage of representational patterns and techniques, understood in a broad, intercultural sense. This impressively nuanced study should be of interest to all those concerned with sign systems, text, film, Chinese fine arts, and intermediality." - Rey Chow, Andrew W. Mellon Distinguished Professor of the Humanities, Duke University