1st Edition
Fire Under My Feet History, Race, and Agency in African Diaspora Dance
Part I Politicizing Black Bodies and the Appropriation of Identity
1 The Gaze of Power, Rebel Bodies, and the Specter of Savagery: African and African Descents Dances in the Narrative Eye of the Beholders in Puerto Rico during the Nineteenth and Twentieth Centuries
Noel Allende Goitía
Part II Choreographing the African Diaspora in the Public Space
2 Rooting across Generations: Establishing British Caribbean Diasporic Identity through Dance
Tia-Monique Uzor
3 Visualizing African Diaspora Dance through the African American Dance Company and Visual Art
Katie E. Dieter
4 The Ruses of Memory in the Cinematic Choreographies of Delia Zapata Olivella: Dancing to Build Gender in the Public Sphere
Juan Suárez Ontaneda
Part III Dance, Spirituality, and the Embodiment of Cultural Continuity
5 Dance, Rhythm, and Ritual: Afro-Venezuelans in Resistance
Mesi Walton
6 Dancing African-Ness: The Transnational Identity of the Siddi Dammal
Anuran Dasgupta
7 Dance: A Catalyst for Spiritual Transcendence
Tamara Williams
Biography
Ofosuwa M. Abiola is an Associate Professor in the Department of Theatre and Dance at Howard University. She is the author of History Dances: Chronicling the History of Traditional Mandinka Dance (2019) and is Editor-in-Chief of the journal Evoke: A Historical, Theoretical, and Cultural Analysis of Africana Dance and Theatre.






