1st Edition

Futurism and the African Imagination Literature and Other Arts

Edited By Dike Okoro Copyright 2022
262 Pages 2 B/W Illustrations
by Routledge

262 Pages 2 B/W Illustrations
by Routledge

262 Pages 2 B/W Illustrations
by Routledge

This book investigates how African authors and artists have explored themes of the future and technology within their works. Afrofuturism was coined in the 1990s as a means of exploring the intersection of African diaspora culture with technology, science and science fiction. However, this book argues that literature and other arts within Africa have always reflected on themes of futurism,... Read more

Acknowledgments

Contributors

Introduction

Part I: Origins/Present Manifestations in Literature

1. Futuristic Themes and Science Fction in Modern African Literature

Dike Okoro

2. Objects Want to Have a Purpose: Animate Materiality, Space, and Identity in African Women Science Fiction

Utitofon Inyang

3. A Narrative of Resistance in the Face of Stasis

Raimi Gbadamosi

4. Elechi Amadi: The Paradox of a Great Teacher who Objects to Teaching

Joseph A. Ushie

5. The Poet as Philosopher

Dike Okoro

6. The Metaphor of Change in Wole Soyinka’s Death and the King’s Horseman

Dipo Kalejaiye

7. The Art of Writing and the Writer’s World: An Interview with Lauren Beukes

Dike Okoro

8. Futuristic Themes in Modern African Poetry

Dike Okoro

Part II: Further Manifestations: Theories, Literature and Performance

9. Mazisi Kunene and the New African Movement

Lupenga Mphande

10. The Greatness of Mazisi Kunene and the Influence of Zulu Cosmology

A Conversation between Ntongela Masilela and Dike Okoro

11. Visual Dissidence and Postcolonial Tunisian Film

Nouri Gana

12. My Writing, My Influences! A Niger Delta Writer’s Reflection on Arts, Politics and Society

A Conversation between Tanure Ojaide and Dike Okoro

13. African Fiction and the Prison Experience: An Interview with Benjamin Kwakye

Dike Okoro

14. Afrobeat Poetry and the African Imagination

A Conversation between Ikwunga Wonodi and Dike Okoro

15. The Story of Akorshi Litong Mystical Dance: A Bette-Bendi Cultural Production

A Conversation between Joseph A. Ushie and Dike Okoro

16. A Conversation between Patricia Jabbeh Wesley and Dike Okoro

Patricia Jabbeh Wesley and Dike Okoro

Part III: Inferences in Other Arts

17. A Conversation with Bruce Onobrakeya

Dike Okoro

Conclusion

 

Biography

Dike Okoro is Associate Professor of English and Chair of the Humanities Department at Harris Stowe State University, USA. He is the author of Lupenga Mphande; Ecocritical Poet/Political Activist (2021). Okoro is a Senior Research Fellow at Ken Saro-Wiwa Foundation.

"Dike Okoro is a part of a contemporary wave of scholarship on the emerging field of Afrofuturism studies. He is one of a few people in the world who is an accomplished scholar in Afrofuturist studies that focuses on African futurism. In a short time, his scholarship is required reading for scholars interested in linking Afrofuturism and phenomena from the African continent. For these reasons and more, Dike Okoro's work is currently at the vanguard of scholarship in contemporary Afrofuturist studies."

Reynaldo Anderson, Editor, The Black Speculative Arts Movement: Black Futurity, Art+ Design 

"The book Futurism and the African Imagination in Literature and Other Arts is a critical exploration of the emerging novel ways by which African writers and artists apprehend time, space and experience through experimental narrative forms fused with traditional dramatic performances as well as speculative revolutionary painting among other forms of art. [....The book aims to] debunk western stereotypes that undermine African literary imagination through the deployment of an approach that emphasizes the limitless power and potency of black imagination. This approach which is identified as Afro (futurism) is aimed at providing fresh insights on African narratives which fuse elements of fiction, fantasy historical fiction, science fiction and magical realism tore-imagine Africa’s future while authenticating the historicity of her humanity through their artistic vision." 

The Nation, reviewed by Bernard Dickson, Department of English, University of Uyo, Nigeria