1st Edition
Independence and Collectivity Configurations of Disability Performance
List of Contributors
Acknowledgements
List of Figures
01 Introduction
Backhausen, Elena / Kreuser, Mirjam / Wihstutz, Benjamin
Part I: Performing and Competing
02 Being tethered in a network of interdependencies – Non-human entities in
visually impaired sports performances constituting subjectivity
Backhausen, Elena
03 Climbing for independence: Mount Kilimanjaro as a symbolic site of
albinism performance
Krings, Matthias
04 Age and/as Disability: Johnny Cash in Isolation
Gehrmann, Ruth
Part II: Strategies and Workarounds
05 Voodling, Camérer: Image is a(n Autistic) Verb
Dind, Julie
06 One for Sorrow, Two for Joy: Cultural patterns of obsessive reality
construction and a performative model for mental distress
Kreuser, Mirjam
07 Deaf Gaming: Performance between autonomy and collectivity in online
gamer communities
Ochsner, Beate/ Spöhrer, Markus
Part III: Care and Community
08 Sexual Independence as Collective Performance in Sex Education and
Assistance for Disabled People
Boll, Tobias/ Brunnengräber, Miriam
09 Care, Community, and Contingencies: Artistic Practice Rooted in Access
Mühlemann, Nina
10 Discipline – Control – Care. On the History of Spectatorship
Wihstutz, Benjamin
Part IV: Politics and Policies
11 ‘We travel together in an untogether way’: independence and collectivity in
learning disabled theatre
McCaffrey, Tony
12 Questioning independence and inclusion: the thoughts of a performer with
differentiated body
Monteiro, Felipe
13 Collectivity and crip resistance practice at the cultural center Sjiraffen in
Trondheim, Norway
Glørstad, Vibeke
14 Outline for a disability critique property
Gissen, David
Index
Biography
Benjamin Wihstutz is an Associate professor of Theatre and Performance Studies at Johannes Gutenberg University Mainz and Principal Investigator of the CRC-project “Disability Performance and Studies in Human Differentiation”
Elena Backhausen is a post-doctoral research associate at the Department of Film, Theatre, Media and Cultural Studies at the Johannes Gutenberg University Mainz and a member of the Collaborative Research Centre (CRC1482) “Studies in Human Differentiation”
Mirjam Kreuser is a research associate in the Department of Film, Theatre, Media and Cultural Studies at Johannes Gutenberg University Mainz and an inclusion officer at Goethe-University Frankfurt. In Mainz, she is working on her PhD thesis on mental distress and theatre.






