Collective political projects have become ephemeral and are subject to radical forms of erasure through cooptation, division, redefinition or intimidation in present times. Media and Utopia responds to the resulting crisis of the social by investigating the links between mediation and political imagination. This volume addresses those utopian space
Introduction Part I: Archive and Imagination 1. The Cinematic Soteriology of Bollywood 2. Fetish Power Unbound: A Small History of Woman In Chinese Cinema 3. Civil Contract of Photography in India Part II: Genealogy 4. Tracking Utopias: Technology, Labour, and Secularism in Bombay Cinema (1930s-1940s) 5. National Becoming, Regional Variation, and Everyday Moments: U.P. and the Film Enquiry 6. Museum as Metaphor: The Politics of an Imagined Ahmedabad Part III: Nostalgia 7. The Labour of Self-Making: Youth Service Workers, and Post-Socialist Urban Development in Kolkata 8. Nostalgia and the Mediatic Imagination in Tito‘s Yugoslavia 9. Past Futures of Old Media: Gulam Mohammed Sheikh‘s Kaavad: Travelling Shrine: Home 10. Sonic Ruptures: Music, Mobility, and Media Part IV: Newness 11. Media and Imagination: Ramananda Chatterjee and His Journals in Three Languages 12. Radical Intervention in Dystopian Media Ecologies 13. Posthuman Amusements: Gaming and Virtuality Part IV: Word and the World 14. Populist Publics: Print Capitalism and Crowd Violence Beyond Liberal Frameworks Part VI: Political Theology 15. On Innocence: Blasphemy, Pan-Islam and the Uneven Mediation of Utopia
The volumes published in the Series will be devoted to current interventions in theory and its application. Issues addressed will engage with questions like the place of the human sciences in the age of technology; cultural studies and their implications for literature; the interface between science and philosophy; the teleology of Theory as a new topos; environmental and ethical issues in education; relations between globalised knowledge and indigenous sources of inquiry; identity debates in democracies and other forms of governance in both east and west; the role of media in relation to epistemies of violence; and reflections on the destiny of humankind. This, however, is not exhaustive, and the Series welcomes creative interventions on similar lines.