1st Edition
Musical Sense-Making Enaction, Experience, and Computation
By Mark Reybrouck
Copyright 2021
236 Pages
20 B/W Illustrations
by
Routledge
236 Pages
20 B/W Illustrations
by
Routledge
236 Pages
20 B/W Illustrations
by
Routledge
Also available as eBook on:
Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approach that brings together the richness of sensory experience and principles of cognitive economy.... Read more
Chapter 1: Introduction
Chapter 2: Musical Sense-Making: Enaction, Experience, and Computation
Chapter 3: Sense-Making and the Enactive Approach
Chapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential Approach
Chapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied Claims
Chapter 6: From Interaction to Sense-Making
Chapter 7: Music and the Extended Computational Approach
Chapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology
Chapter 2: Musical Sense-Making: Enaction, Experience, and Computation
Chapter 3: Sense-Making and the Enactive Approach
Chapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential Approach
Chapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied Claims
Chapter 6: From Interaction to Sense-Making
Chapter 7: Music and the Extended Computational Approach
Chapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology
Biography
Mark Reybrouck is emeritus professor at the University of Leuven (KU Leuven) and guest professor at Ghent University, Belgium.
