1st Edition

Musical Spaces Place, Performance, and Power

Edited By James Williams, Samuel Horlor Copyright 2022
    490 Pages 25 Color & 7 B/W Illustrations
    by Jenny Stanford Publishing

    490 Pages 25 Color & 7 B/W Illustrations
    by Jenny Stanford Publishing

    There is growing recognition and understanding of music’s fundamentally spatial natures, with significances of space found both in the immediacy of musical practices and in connection to broader identities and ideas around music. Whereas previous publications have looked at connections between music and space through singular lenses (such as how they are linked to ethnic identities or how musical images of a city are constructed), this book sets out to explore intersections between multiple scales and kinds of musical spaces. It complements the investigation of broader power structures and place-based identities by a detailed focus on the moments of music-making and musical environments, revealing the mutual shaping of these levels. The book overcomes a Eurocentric focus on a typically narrow range of musics (especially European and North American classical and popular forms) with case studies on a diverse set of genres and global contexts, inspiring a range of ethnographic, text-based, historical, and practice-based approaches.

    Part I

    (Trans)local Musical Spaces


    1. Musical Spaces and Deep Regionalism in Minas Gerais, Brazil

    Jonathon Grasse


    2. ‘Trapped in Oklahoma’: Bible Belt Affect and DIY Punk

    Alican Koc


    3. Musical Pathways through Algerian-London

    Stephen Wilford


    4. Dancing to the Hotline Bling in the Old Bazaars of Tehran

    Shabnam Goli


    Regionality in Learning and Heritage


    5. Performing Local Music: Engaging with Regional Musical Identities through Higher Education and Research

    Daithí Kearney


    6. Preserving Cultural Identity: Learning Music and Performing Heritage in a Tibetan Refugee School

    James Williams


    7. Claiming Back the Arctic: Evaluating the Effectiveness of Music as a Voice for the Indigenous Subaltern

    Kiara Wickremasinghe


    Music and Spatial Imaginaries


    8. ‘He Is a Piece of Granite…’: Landscape and National Identity in Early Twentieth-Century Sweden

    Anne Macgregor


    9. War, Folklore, and Circumstance: Dimitri Shostakovich’s Greek Songs in Transnational Historical Context

    Artemis Ignatidou


    10. ‘O Monstrous! O Strange!’: Culture, Nature, and the Places of Music in the Mexican Sotavento

    Diego Astorga de Ita


    11. Journeys to Plastic Beach: Navigations across the Virtual Ocean to Gorillaz’ Fictional Island

    Alex Jeffery


    Part II

    Music-Making Environments


    12. Person-Environment Relationships: Influences beyond Acoustics in Musical Performance

    James Edward Armstrong


    13. The Social and Spatial Basis of Musical Joy: Folk Orc as Special Refuge and Everyday Ritual

    Thomas Graves


    14. Echoes of Mongolia’s Sensory Landscape in Shurankhai’s ‘Harmonized’ Urtyn Duu

    Sunmin Yoon


    Designing Creative Spaces


    15. Staging Ariodante: Cultural Cartographies and Dialogical Performance

    Benjamin Davis


    16. Musicians in Place and Space: The Impact of a Spatialized Model of Improvised Music Performance

    David Leahy


    17. Space, Engagement, and Immersion: From La Monte Young and Terry Riley to Contemporary Practice

    Joanne Mills


    Musical Spaces and Power


    18. Micronational Spaces: Rethinking Politics in Contemporary Music Festivals

    Jelena Gligorijević


    19. Construction of  Protest Space through Chanting in the Egyptian Revolution (2011): Musical Dimensions of a Political Subject

    Oscar Galeev


    20. Bethlem, Music, and Sound as Biopower in Seventeenth-Century London

    Joseph Nelson


    Epilogue: Towards More Geographic Musicologies

    James Williams


    James Williams is an ethnomusicologist and senior lecturer at the University of Derby, UK. His PhD, from the University of Wolverhampton, UK (2016), focused on the collaborative and creative interactions between professional musicians, while his current research concerns behavioural, socio-cultural, and creative processes in wellbeing and education.

    Samuel Horlor is a postdoctoral fellow at the Center for Ethnomusicology, Yunnan University, China. He specialises in research on street performance, Chinese pop, and music in urban life. Samuel is the author of Chinese Street Music: Complicating Musical Community (Cambridge University Press, 2021) and articles in journals including Ethnomusicology Forum and Asian Music.