1st Edition
Musicians' Migratory Patterns: American-Mexican Border Lands
Preface / Acknowledgements / Chapter 1: Sound Through the Looking Glass: An Approach to the Dimensional Sonology on the Tijuana-San Diego Border (Álvaro G. Díaz Rodríguez) / Chapter 2: Network Platforms, Electronic Scenes, and Cultural Activism at the Tijuana-San Diego Border: The Performance of Border Critical Thinking in Young Artistic Movements in the Early 21st Century (Rossana Lara Velázquez) / Chapter 3: Sonic Borders of Self: A Trajectory (Wilfrido Terrazas) / Chapter 4: P/T: Ensenada and Experimentalist Musical Practice: Narrations in Place and Time (Teresa Díaz de Cossio and Paul N. Roth) / Chapter 5: Sound Migration: Repatriation of Mexican Piano Music: A Case Study on Three Short Piano Pieces by Samuel Zyman (Turcios Ruiz) / Chapter 6: Borderline Crossings: The New Mexican Orchestra (Mauricio Rodríguez) / List of Contributors / Index
Biography
Mauricio Rodríguez has taught at American universities and also in Spain. He is an artistic fellow of the National Endowment for the Arts of Mexico.






