1st Edition
New Approaches to Decolonizing Fashion History and Period Styles Re-Fashioning Pedagogies
Introduction: New Perspectives and Taking Chances
Ashley Bellet
1. Re-Fashioning Time: An Object-Based Approach to The History of Style
Sydney Maresca
2. Research Methods for Fashion History and Technology
Grace Cochran Keenan
3. Conscious Fashion History
Camille Benda
4. Fashion Forward: A History of Dress in Global Context
Julia Learson
5. Global Dress History for Undergraduate General Education
Anastasia Goodwin
6. Historic Costume and Decor Utilizing People- and Place-Based Curriculum
Maile Speetjens and Michelle Bisbee
7. An Abridged Clothing History in Four Construction Techniques
Lena Sands
8. Examining And Creating Connections in Costume History Through Cultural Intersections and Alternative Assessment Models
Sarah Mosher
9. Expanding and Deconstructing the Western Fashion History Ideology
Rafael Jaen
10. Fashion and Costume: Global Adornment and Attire
Sarah M. Oliver
11. The March of History Gives Way to Flowers in a Field
Chris Muller
12. Activities for the Classroom
Project A: Worn History: Personal History Through Clothes
Debra Krajec
Project B: Final Assignment: World Building
Brenda Van der Wiel
Project C: Historic Tools and Techniques: An Exercise in Material Culture Observation
Ashley Bellet
Conclusion
Ashley Bellet
Biography
Ashley Bellet is a professional costume designer and crafts artisan. She is an assistant professor of costume design at Purdue University in West Lafayette, Indiana, and secretary for the United States Institute for Theatre Technology (USITT).
“If you want to revise your learning objectives to focus more on the global majority and less on the evolution of Western fashion, examine how cultural appropriation and racism affect our view of art and design, challenge and question the traditional books and terminology, develop an inclusive fashion history curriculum, and shift focus from timelines to concepts, you will find content in this book to help you achieve your goals and interrogate the ways you have been taught to look at the world of costume history and period styles.”
Kristina Tollefson, Theatre Design & Technology, University of Central Florida in Orlando, USA






