Introduction: Portraits and Philosophy
Hans Maes
Part I. The Nature of Portraiture
1. Portraiture Portrayed
Ivan Gaskell
2. Portraiture and Portrait-Seeing: From Caravaggio to Digital Selfies
Alessandro Giovannelli
3. Portraits, Persons, and Poses
Paul Guyer
4. Philosophy of Portraiture: A Programmatic Overview
Matteo Ravasio
Part II. Subgenres and Special Cases
5. Double Portraiture
Eleen M. Deprez and Michael Newall
6. Moving Picture Portraits
Cynthia Freeland
7. Portraits of People Not Present
Bence Nanay
8. Portraits of the Landscape
Erich Hatala Matthes
9. Sport Card Portraiture
Jason Holt
Part III. Portraiture, Empathy, and Emotion
10. Truth and Empathy in the Portraits of Kokoschka
Jenefer Robinson
11. Without Shame? Lee Friedlander’s Late Self-Portraits
Diarmuid Costello
12. ‘And Time Will Have His Fancy…’: On Being Moved by Portraits of Unknown People
Hans Maes
Part IV. Portraiture, Fiction, and Depiction
13. Real Portraits in Literature
Stacie Friend
14. The Power of Picasso: Reconciling Realism and Anti-Realism in the Portrait of Gertrude Stein
Ira Newman
15. Portraiture: Seeing As and Seeing In
Martin Hammer
Part V. The Ethics of Portraiture
16. The Ethics of Portraiture
A.W. Eaton
17. The Sublime Clara Mather
Kenneth Walden
18. Respecting Photographic Subjects
Macalester Bell
Epilogue: Portraits of Philosophers
Hans Maes
Biography
Hans Maes is Senior Lecturer in History and Philosophy of Art at the University of Kent. He is the author of Conversations on Art and Aesthetics (2017) and editor of the essay collections Art and Pornography (2012) and Pornographic Art and the Aesthetics of Pornography (2013).
"Portraits and Philosophy is a philosophical invitation to reconsider portraits as an artistic genre
as well as an object of philosophical investigation. Moreover, chapter after chapter, this book
debunks all the underlying skepticism and prejudices against the possibility of substantial
reflection on this topic. The book is philosophical aesthetics done at its best: this collection of
eighteen original articles written by philosophers and art historians— plus an introduction and an
epilogue by the editor—not only shows philosophical insight, but establishes a substantial and
robust dialogue between philosophy, art history and art practice that one frequently expects, but
rarely finds, in the aesthetics literature." – MIND"This book seems certain to establish the philosophy of portraiture as a new and important topic of debate within philosophy and to demonstrate the centrality of philosophical aesthetics to the issues of self, identity and our understanding of each other, that concern us all." – Ian Ground, University of Hertfordshire, UK
"This is an excellent book on the elusive but pervasive genre of portraiture. It provides the reader with conceptual tools to understand the boundaries of the genre, the value of portraits and some ethical issues they give rise to. Also, it invites the reader to consider interesting questions such as whether there can be portraits of absent sitters, how to understand sport cards portraits or fictional portraits appearing in literary works." – Paloma Atencia-Linares, National Autonomous University of Mexico
