1st Edition

Race and Beauty Early Modern Cosmetics and the Mythology of Whiteness

By Josie Schoel Copyright 2025
190 Pages
by Routledge

190 Pages
by Routledge

190 Pages
by Routledge

This work examines how beauty standards, specifically the ideology of "fairness", contributed to the racialization of bodies in early modern England. Schoel emphasizes the need to dismantle whiteness’s invisibility in historical criticism, noting that it has long been an unexamined norm. By focusing on the materiality of cosmetic whiteness, the text aims to disrupt colorblind ideologies and... Read more

Acknowledgements
Introduction: “scorched no more.”: Performing Whiteness
Chapter 1: “Bought, Borrowed, and Sold Complexions": Cosmetics and Anglo-Ottoman Traffic
Chapter 2: “Fair Figures”: The Portraits of Elizabeth I
Chapter 3: “Dappled Ladies”: Maculation as Racial Coding
Chapter 4: “Strange Shoppes of Drugges": The Apothecary and Marketing of Whiteness
Chapter 5: “Lyke unto a Lyvely Thing”: The White Effigial Body.
Chapter 6: “A noble confection”: Ben Jonson’s Masque of Gypsies Metamorphosed
Epilogue
Bibliography
Index

Biography

Josie Schoel is a professor at the Department of English at Endicott College, specializing in early modern British literature and culture. Her work, which has appeared in SEL: Studies in English Literature: 1500‒1900 and Dynamic Matter: Transforming Renaissance Objects, explores cosmetic materiality and emerging notions of cultural difference and racial meaning.