1st Edition
Routledge Handbook of Arts and Global Development
This book brings together a leading team of international experts in arts and global development to showcase effective practice, and to explore how this vibrant interdisciplinary field has developed, and what the latest research can teach us.
Although arts play a central role in human development, and in the health and wellbeing of individuals and communities, few have attempted to comprehensively explore arts practice as global development. This handbook first provides a theoretical framework for exploring arts and global development, before surveying a comprehensive range of art forms and development practices to explore the potential of the arts to strategically and beneficially contribute to more just and equitable conditions for communities across the globe. Stretching across the arts from theatre, dance, and music, to poetry, film, and visual arts, the book covers topics as diverse as health, education, peacebuilding, livelihoods, sustainability, activism, and arts as research method in programming. The Handbook also identifies gaps in the literature, pointing towards the most pressing and promising avenues for further research over the next few years.
This book will be an essential resource for any researcher, student or practitioner wishing to understand the role of the arts in global development, and in the global south more generally.
Foreword: Culture is Development
François Matarasso
Section 1: Introduction
Section Introduction
1. Introduction: Arts and Global Development – Uneasy Bedfellows?
Vicki-Ann Ware, Kirsten Sadeghi-Yekta, Tim Prentki, Wasim al Kurdi and Patrick Kabanda
2. Core Concepts in Arts & Global Development
Vicki-Ann Ware, Tim Prentki, Kirsten Sadeghi-Yekta, Patrick Kabanda and Wasim al Kurdi
Section 2: Promoting Health and Wellbeing Through Arts
Section Introduction
3. Art-Making as the ‘Journey of the Heart’
Brigid Ryan, Patricia Fenner, Odille Chang, Salochana Devi Chetty, Thelma Nabukavou
4. Social Theatre of the Affects: Social Theatre as a Tool to Talk About Sexual Violence Within High Schools in Sao Paulo, Brazil
Kelly C Fernandes, Bader B Sawaia, Victoria Jupp Kina, with the collaboration of Lívia M C dos Santos
5. Art therapy training in South Africa: Pedagogical Strategies for Social Action During and Beyond the COVID-19 pandemic
Kim Berman
Section 3: Education and Knowledge Transmission
Section Introduction
6. Integrating the Arts of Indigenous Religion Adherents into Global Development for Education: A Case Study from Indonesia
Joseph Lamont, Catherine Grant, Umbu Remi Deta, Rika Setiawati and Antonius Kambaru Jawamara
7. On The Pathway to Critical Consciousness: Fostering Critical Thinking Through Drama in a Chilean ‘Vulnerable’ School
Catalina Villanueva and Carmel O’Sullivan
8. Empowerment Through the Pedagogical Application of Ancient Persian Dramatic Storytelling
Elnaz Sheshgelani
9. Language Reawakening Through Theatre
Kirsten Sadeghi-Yekta, Narges Montakhabi Bakhtvar and Atefeh Zargarzadeh
10. In the Mayhem of Dance: A Vernacular Dance Pedagogy
Serene Huleileh
11. The Right to An Aesthetic Experience: Theatre and Restoration of Rights for Victims of Sexual Commercial Child Exploitation
Iria Retuerto Mendaña
Section 4: Peacebuilding and Conflict Transformation
Section Introduction
12. Restoring Arts Practices After Armed Conflict: The Critical Junctures That Support Collaborative Arts-Based Interventions
13. Performing Democracy, Building Peace: The Case of Speak Out!
Cletus Moyo
14. Arts and Conscientisation in Asset-Based Community Development and Peacebuilding: A Case Study in the Midst of Ethnic Cleansing in Myanmar
Vicki-Ann Ware and Anthony Ware
15. Bards of Dadaab: Oral Poetry and Psychological Healing Among Somali Refugees in Kenya
Ana Ljubinkovic
16. Kinaesthetic Empathy: The Others in Me
Ana Carolina Avila Perez
17. Assessment and Cultural Sensitivity Regarding International Graffiti on the Separation Wall in Palestine
Khitam Edelbi and Chelsea L. Waybright
18. Hamdeli: Theatre, Culture, and Displacement in Afghanistan
Kaveh Ayreek, Sara Noshadi and Scott Guggenheim
19. Theatre as Mode of Empowerment: Understanding The Reawakening of Independent Theatre in Assam
Debajit Bora
Section 5: Socio-Political Activism and Change
Section Introduction
20. Drama Practice Within Development
Michael Etherton, with foreword by Tim Prentki
21. The Art of Development: From Arts and Development to Arts as Development
Tim Prentki
22. The Coalition of Immokalee Workers: Farmworkers’ Rights Through Activism and Art
Susan Haedicke
23. ‘Alive’ Community Culture in Chile: Connective Challenges
Jorge Bozo Marambio and Penelope Glass
24. Community Artistic Practices and Participation – Dialogues Between Southern Europe and Latin America
Hugo Cruz
25. Art, Activism and Rock n Roll: Radical Art Collectives in South East Asia
Martin Potter and Charlie Hill-Smith
Section 6: Gender Issues and the Arts
Section Introduction
26. Becoming public: Institutional Music Education and Gender Equality in Afghanistan
Lauren Braithwaite
27. Formulating experience through reflective practice: Human practice from artistic production to aesthetic perception
Wasim al Kurdi
28. Feminist Artivism: Deconstructing Contested Spaces of Masculinity
F. Melis Cin and Elif Dastarlı
Section 7: Livelihoods and Cultural Sector Development
Section Introduction
29. Ethical Practice and Financial Precarity: A Case Study of The Economic and Social Contexts for Arts and Development Practitioners in Kisumu, Kenya
Charity Adhiambo, Alfred Angira, Beatrice Atieno, Matthew Elliott, Jehu Nyawara, C.J. Odhiambo, Nicholas Ondiek, Sheila Onguo & Jane Plastow
30. Opportunities for Hope and the Support to Fly: The Role of an Intermediary in the Craft and Design Sector in South Africa
Erica Elk
31. Action for Hope’s School of Music: The Pedagogy of Heart to Heart
Mona Merhi
Section 8: Environmental Sustainability and the Arts
Section Introduction
32. With One Breath: Creating Art on the Climate Crisis between the UK and Uganda
Bobby Smith, Hussein Maddan, Becky Warnock, Rachel Turner-King
33. WaterAid: Representing Development through Art and Developing Artists through Representation
David Girling and Sarah Horton
34. Shifting from Development to Empowerment through Eco-Creative Knowledge Transmission
Boudina McConnachie, Francesca Porri and Rachel Wynberg
35. An Achipelagic Ethnography: Stories Emerging from Climate Change, Everyday Acts of Emancipation, and Applied Theatre in Island Community in the Philippines
Dennis D. Gupa
Section 9: Conclusions: Emerging Evidence and Research Agenda
Section Introduction
36. Drawing It Together: The Art of Development
Vicki-Ann Ware with Kirsten Sadeghi-Yekta and Tim Prentki
Biography
Vicki-Ann Ware lectures in development studies, Deakin University. An ethnomusicologist, widely published with 30 years’ experience in arts-based community work, she researches arts-based community development/peacebuilding. Having worked in mainland Southeast Asia, she currently works in Bangladesh and Indonesia. She convenes the Arts/Sports Community Development Network, and is Artistic Director for Casey Philharmonic Orchestra.
Kirsten Sadeghi-Yekta holds a Ph.D. in Applied Theatre from The University of Manchester, United Kingdom. She is Associate Professor at the University of Victoria, Canada. Currently, she is working on her SSHRC grants on Coast Salish language revitalization through theatre. Sadeghi-Yekta has published many articles in a variety of journals.
Tim Prentki is Emeritus Professor of Theatre for Development at the University of Winchester where, for many years, he created and ran the MA in Theatre and Media as Development. This programme trained students to become facilitators of theatre and video processes designed to assist communities in addressing issues in relation to their self-development. Students ran projects throughout the world. Prentki has been involved in projects, NGO training and academic collaborations in Asia, Africa and South America. He has served on the editorial and advisory boards of Research in Drama Education and Applied Theatre Research. A past winner of a Southern Arts award, he has written and directed for theatre for fifty years, including Shakespeare, contemporary writing and his own scripts, two of which, Half Measures and Lear in Brexitland, were recently presented at the Shakespeare North Playhouse. His current works are Henry VII: Shakespeare’s ‘Lost’ Play and Empire’s Edge or What You Will.
Wasim al Kurdi is a poet, writer, and practitioner in Drama & Theatre in Education. He served as the Director of the Educational Programme at Palestine's A.M. Qattan Foundation and as the Academic Director of DiE Summer School in Jordan. He is an author of books on education, culture, and the arts.
Patrick Kabanda is the author of The Creative Wealth of Nations (Cambridge, 2018). He has consulted for the World Bank and the United Nations Development Programme. A Juilliard and Fletcher graduate, he was awarded the 2013 Presidential Award for Citizenship and Public Service from Tufts University, Massachusetts. (www.musikaba.net)
'This is an excellent volume, breath-taking in both the breadth of its field of reference and clarity in its analysis of what we know about the potential of arts as (rather than in) development, and about what more work is required. Similarly impressive is the way the volume balances theoretical rigour with the pragmatic requirements of delivering arts-led development projects. This is a must-read volume for academics and practitioners working in this fast-growing area.'
Paul Cooke, Centre for World Cinemas and Digital Cultures, School of Languages, Cultures and Societies, University of Leeds, UK
'It seems increasingly improbable to hope for a more just and equitable world. This book joyfully reminds us of the power, possibilities and limitations of the arts to reimagine our futures.'
Peter O’Connor, FRSNZ, The University of Auckland, New Zealand
'This ground-breaking handbook is vital reading for scholars, practitioners, policy makers, funders and educators interested in harnessing the potential of the arts as global development. It critically charts the latest developments in the field, valuably outlines key concepts and frameworks, and showcases a wide array of practice, programs, and thinking from leading researchers and practitioners across the world. The handbook is engagingly structured around some of the most pressing issues facing our generation, and makes a compelling case for the essential role the arts can play in wellbeing, healing, social interaction, and enabling communities to imagine their own aspirations for development. Powerful, thought-provoking, and extraordinarily timely for the world we live in right now. Highly recommended reading!'
Brydie-Leigh Bartleet, Professor at the Creative Arts Research Institute, Griffith University
