This book uses an interdisciplinary approach to explore the ways in which sexual difference can be understood as an encounter with otherness through the abjected, investigating social discourses and unconscious anxieties around ‘monstrous’ women throughout history and how they may challenge these characterisations.
The author expands on Barbara Creed’s notion of the monstrous-feminine to give a specifically Lacanian analysis of different types of feminine monsters, such as Mary Toft, Andrea Yates, Lillith, and Medusa. Drawing on Lacan’s theory of ‘sexuation’, the book interrogates characterizations of pregnant women during the Enlightenment, women who commit filicide, mothers in the psychoanalytic clinic, and women with Borderline Personality Disorder. Chapters explore how encounters with a feminine subject in the Lacanian sense can manifest in misogynistic practices aimed at women, as well as how a Deleuzian notion of becoming-other may pose a challenge to their interpretation in a phallocentric meaning-making system. Creatively engaging the work of both Jacques Lacan and Gilles Deleuze, the text goes beyond simply identifying misogynistic practices by probing the relational, unconscious dynamics between hegemonic groups and those designated as ‘other’.
Approaching the concept of the Borderline from a critical and transdisciplinary perspective, this text will appeal to postgraduate students and researchers from Lacanian psychoanalysis, gender studies, cultural studies and critical psychology.
"Even given the promises of queer theory, it is wonderful that an author returns to generative fields of feminism, sexual difference, psychoanalysis, and feminine desire. The book's ideas are vibrant, unexpected, outside traditional feminist disputations, but without giving up sexuality, desire or a feminist project. Interrogating feminine desire is imperative, leaving Woman to prescriptive Jungian avatars is too dangerous in these times where culture commodifies identities and desire with such startling speed and normative results."
Kareen Malone, professor emerita of psychology, University of West Georgia and program co-chair of the Atlanta Psychoanalytic Society
"Dr. Morris provides an innovative and much-needed intervention into the relation of psychoanalysis to contemporary thought on gender and sexuality. In this nuanced and carefully thought exploration of women as monstrous in this late-stage capitalist society, she extends, explicates, and entangles the psychoanalysis of Lacan with extensions of his work in interlocutors such as Kristeva and Ettinger. Morris opens new avenues for us to think about the way we see women as monstrous across different sociohistorical contexts. Developing the work of immanent theorists such as Deleuze and Guattari, as well as Braidotti, she engages the possibility that social anxiety in response to the female as inherently aberrant may indicate ‘an almost ungovernable excess between the assumed norm and the identified other’. In this rich reading of gender, sexuality, culture, and abjection, Morris delves into horror films, literature, feminist psychology, psychoanalysis, and cultural studies. This incisive and insightful book is well worth the journey."
Kathleen Skott-Myhre, associate professor of psychology, University of West Georgia
1. Introduction 2. Sexuation and Becoming-Woman 3. Sexual Difference in Mythology 4. Sexual Difference and the Medical Gaze 5. Psychoanalysis and the Mother Monster 6. Fairy Tales and Femme Fatales 7. The Borderline, Jouissance and Capitalist Enjoyment 8. The Monster is in the Meme: Transgender People and Sexual Difference
Psychoanalytic clinical and theoretical work is always embedded in specific linguistic and cultural contexts and carries their traces, traces which this series attends to in its focus on multiple contradictory and antagonistic ‘lines of the Symbolic’. This series takes its cue from Lacan’s psychoanalytic work on three registers of human experience, the Symbolic, the Imaginary and the Real, and employs this distinctive understanding of cultural, communication and embodiment to link with other traditions of cultural, clinical and theoretical practice beyond the Lacanian symbolic universe. Lines of the Symbolic in Psychoanalysis provides a reflexive reworking of theoretical and practical issues, translating psychoanalytic writing from different contexts, grounding that work in the specific histories and politics that provide the conditions of possibility for its descriptions and interventions to function. The series makes connections between different cultural and disciplinary sites in which psychoanalysis operates, questioning the idea that there could be one single correct reading and application of Lacan. Its authors trace their own path, their own line through the Symbolic, situating psychoanalysis in relation to debates which intersect with Lacanian work, explicating it, extending it and challenging it.