Part I The Essential Integration of History and Creativity 1. Why Must Teaching and Learning in History be creative? Hilary Cooper 2. Supporting Creative learning in History Hilary Cooper Part II Creative Approaches to Aspects of Historical Enquiry 3. Investigating Activities Using Sources at Key Stage One Penelope Harnett and Sarah Whitehouse 4. Creative Teaching and learning using prehistoric sources: changes in Britain from the Stone Age to the Iron Age Jon Nichol 5. Creativity and challenging sources: King Arthur and the Anglo Saxon Settlement of Britain c. 400-600 Jon Nichol 6. Using Artefacts and Written Sources Creatively Hugh Moore 7. Using Archives Creatively Sue Temple 8. Creative Approaches to Time and Chronology Hugh Moore with Rachel Angus, Caitlin Brady, Caitlin Bates and Caron Murgatroyd 9. Creativity, and historical investigation: pupils in role as history detectives ( pro historians) and as historical agents Jon Nichol 10. Using creative drama approaches for the teaching of history Cherry Dodwell 11. Creativity, connectivity and interpretation Jon Nichol 12. Creative exploration of local, national and global Links Penelope Harnett and Sarah Whitehouse 13. The Awakening of Creativity: history is now Hilary Cooper
Biography
Hilary Cooper is Professor of History and Pedagogy at the University of Cumbria, UK
