1st Edition

The Freshman Comedy and Masculinity in 1920s Film and Youth Culture

By Christina G. Petersen Copyright 2019
134 Pages
by Routledge

134 Pages 8 B/W Illustrations
by Routledge

134 Pages 8 B/W Illustrations
by Routledge

Before the advent of the teenager in the 1940s and the teenpic in the 1950s, The Freshman (Taylor and Newmeyer, 1925) represented 1920s college youth culture as an exclusive world of leisure to a mass audience. Starring popular slapstick comedian Harold Lloyd, The Freshman was a hit with audiences for its parody of contemporary conceptions of university life as an orgy of proms and football... Read more

Introduction: When Both Were Young



1. ‘A Large Football Stadium with a College Attached’: 1920s Collegiate Youth Culture



2. ‘Just a Regular Fellow’: Harold Lloyd and Silent-Era Middle-Class Masculinity



3. ‘The College Hero’: The Freshman’s Individual Conformist



4. ‘Laugh and Live Longer’: The Mass Marketing and Reception of The Freshman 



Conclusion: Before the Teenpic

Biography



Christina G. Petersen is Christian Nielsen associate professor of film studies at Eckerd College. She has published on identity and embodiment in American cinema, including essays on the origins of the youth film, the independent African American race film industry, international avant-garde cinema, and contemporary film exhibition technology.