1st Edition

The Game Production Toolbox

By Heather Chandler Copyright 2019
    320 Pages 100 Color Illustrations
    by CRC Press

    320 Pages 100 Color Illustrations
    by CRC Press

    The Game Production Toolbox focuses on the nuts and bolts of producing interactive content and how you can organize and support the creative, technical, and business efforts that are all part of interactive game development. This book isn’t going to tell you how to design a game or what technologies to use. Instead it provides techniques for and insights into managing, from concept to release, all the pieces that must come together in order to get a game into the hands of a player.

    Readers will learn about each phase of game production: prototyping, defining the requirements, assembling the team, making the game, and releasing to the players. Interviews from professional game developers give a behind-the-scenes look at what it takes to make a game.

    Key Features

    • A framework for how to get an interactive game from concept to release, including information on financing and pitching to publishers and investors.
    • Techniques for working with the game development team to get effective prototypes and documentation to prove out game concept and mechanics.
    • Concrete information on how to plan and execute the different aspects of game production, such as audio, localization, testing, and software ratings.
    • Advice from industry experts on managing teams, project management, communicating effectively, and keeping everyone happy.
    • Information about working effectively with marketing, PR, and other people that are involved with the publishing and release process.

    Part 1 Overview

    Chapter 1: Game Industry Overview 3

    Chapter 2: Developer and Publisher Overview 25

    Chapter 3: Legal Overview 43

    Part 2 Creating the Prototype

    Chapter 4: Laying the Groundwork 57

    Chapter 5: Creating Concept 81

    Chapter 6: Prototyping 95

    Part 3 Establishing Requirements

    Chapter 7: Schedule 105

    Chapter 8: Budget 121

    Chapter 9: Pitching Your Game 129

    Part 4 Assembling the Game Team

    Chapter 10: Hiring Talent . 147

    Chapter 11: Team Organization . 157

    Chapter 12: Managing Your Team . 167

    Chapter 13: Outsourcing . 183

    Part 5 Making the Game

    Chapter 14: Executing the Plan . 191

    Chapter 15: User Experience (UX), UX: Written in Collaboration with Celia Hodent . 205

    Chapter 16: Audio 215

    Chapter 17: Localization 231

    Chapter 18: QA Testing . 245

    Part 6 Launching the Game

    Chapter 19: Getting the Word Out 259

    Chapter 20: Releasing to Players . 265

    Part 7 Appendices




    Heather Maxwell Chandler is a multimedia producer with over 20 years of experience in the video game industry. She's worked in production at Epic Games, Electronic Arts, Ubisoft, and Activision. She was most recently a Senior Producer on Fortnite.Heather has contributed to over 35 games, including Fortnite, Never Alone, Kingdoms of Amalur: Reckoning, Sid Meier's Railroads, Monster Madness: Battle for Suburbia, Vigilante 8, Rainbow Six 3: Raven Shield, Shanghai: Second Dynasty, and Apocalypse. She also worked on every title in the Ghost Recon series, including Ghost Recon 2 and Ghost Recon: Advanced Warfighter. In 2005, Heather founded Media Sunshine, Inc., a company that provides consulting services to game developers and publishers. She is the author of The Game Production Handbook, The Game Localization Handbook, and several other articles on game development and localization. Her articles have been published in Secrets of the Game Business and The Project Manager's Desk Reference, 3rd Ed. Heather has lectured on game production and development at North Carolina State University, the Game Developers Conference, IGDA Leadership Forum, and at several other conferences and educational institutions. She served as the chairperson of the IGDA Production SIG from 2006 - 2010. Heather graduated with honors from Vanderbilt University and received an M.A. from the USC School of Cinema-Television.