1st Edition

Wondrous Screens in India Cinema Halls, Place, Public, and Cinephilia

Edited By Madhuja Mukherjee, Kaushik Bhaumik Copyright 2026
262 Pages
by Routledge

262 Pages
by Routledge

This book brings together fifteen chapters involving extraordinary primary material, evidences, and experiences of the rapidly shrinking single-screen spaces and transforming viewing cultures in the big cities and towns across India. It emphasizes on the material history of cinema – a history of one hundred years and more, intrinsically linked with accounts of the late colonial period, nation,... Read more

Introduction: Wondrous screens in India: cinema halls, place, public, and cinephilia

Madhuja Mukherjee and Kaushik Bhaumik

 

Part I: Cities, towns, and history of the cinematic

 

1. The early world of cinema, expansion of theatres in Bombay and a map of the city via cinema-halls

Virchand Dharamsey

 

2. Maratha Mandir, Bombay: cartographies of difficult histories of a metropolis

Jenisha Borah

 

3. Something slippery: A speculative history of Calcutta cinemas through court-room documents

Madhuja Mukherjee

 

4. The Prabhat trajectory in Pune: studio, theatre and film practice (1934–present)

Hrishikesh Arvikar

 

5. Cinema-going in a mofussil town: recalling the life and times of Lakshmi Talkies, Allahabad

Lalit Joshi

 

6. Tirunelveli, touring talkies and tent cinemas: multiple stories of single-screens

Swarnavel Eswaran

 

7. The political economy of the single-screen cinema with respect to Bombay cinema

Kaushik Bhaumik

 

PART II: Single-screens and radical reconfigurations 

 

8. Escaping the DVD dispositif: John Abraham and the historical exhibition

Parichay Patra

 

9. The ‘Celluloid Chapter’ in Jamshedpur: break journeys and film society cinephilia

Abhija Ghosh

 

10. Cinema memories and single screen theatres: Yakut Mahal theatre, Hyderabad

C. Yamini Krishna

 

11. After the single screen: performing publics at large

S. V. Srinivas

 

12. The ‘Great Unknown’: the movie theatre in our time

Ashish Rajadhyaksha

 

13. Cinema and its spectral returns: the single-screen viewer at the site of artistic re-imagination

Madhuja Mukherjee

 

14. Watching films in Kashmir Valley, 1960–1990: an interview with Inder Salim, artist

Kaushik Bhaumik

 

 

 

Biography

Madhuja Mukherjee is Professor of Film Studies at Jadavpur University, India. Her research involves: South Asian film and media industrial histories, sound in cinema, gender, labour, digital practice, and urban cultures. She focuses on archives and material history of film and media. Her academic research evolved into media-installations, comics, and films.

Kaushik Bhaumik is Associate Professor of Cinema Studies at Jawaharlal Nehru University, India. His areas of research mainly pertain to Indian, Asian and global cinemas with special emphasis on the political and cultural economies of film and media histories. He also teaches courses on 20th-century visual aesthetics.