© 2013 – Routledge
From the mid-1960s onwards Michel Foucault has had a significant impact on diverse aspects of culture, knowledge and arts including architecture and its critical discourse. The implications for architecture have been wide-ranging. His archaeological and genealogical approaches to knowledge have transformed architectural history and theory, while his attitude to arts and aesthetics led to a renewed focus on the avant-garde.
Prepared by an architect, this book offers an excellent entry point into the remarkable work of Michel Foucault, and provides a focused introduction suitable for architects, urban designers, and students of architecture.
Foucault’s crucial juxtaposition of space, knowledge and power has unlocked novel spatial possibilities for thinking about design in architecture and urbanism. While the philosopher's ultimate attention on the issues of body and sexuality has defined our understanding of the possibilities and limits of human condition and its relation to architecture.
The book concentrates on a number of historical and theoretical issues often addressed by Foucault that have been grouped under the themes of archaeology, enclosure, bodies, spatiality and aesthetics in order to examine and demonstrate their relevancy for architectural knowledge, its history and its practice.
Introduction Part 1: Positioning 1.1 Context 1.2 Resisting Boundaries 1.3 Architecture Unspoken Part 2: Archaeology 2.1 Human Sciences, Knowledge and Architecture 2.2 Archaeology as Difference Part 3: Enclosure 3.1 Madness 3.2 The Asylum 3.3 The Clinic 3.4 The Prison Part 4: Bodies 4.1 The History of Sexuality 4.2 Sexuality, Knowledge and the Structure of Aesthetic Experience 4.3 Biopower 4.4 Bodies, Architecture and Cities Part 5: Spatiality/Aesthetics 5.1 Spatiality and its Themes 5.2 Avant-Garde and the Language of Space 5.3 Deleuzian Century 5.4 Ad Finem Further Reading Bibliography
Architects have often looked to thinkers in philosophy and theory to find design ideas or in search of a critical framework for practice. Yet architects, and students of architecture, can struggle to navigate thinkers’ writings. It can be daunting to approach original texts with little appreciation of their contexts. And existing introductions seldom explore architectural material in any detail.
This original series offers clear, quick and accurate introductions to key thinkers who have written about architecture. Each book summarises what a thinker has to offer for architects. It locates their architectural thinking in the body of their work, introduces significant books and essays, helps decode terms and provides quick reference for further reading. If you find philosophical and theoretical writing about architecture difficult, or just don’t know where to begin, this series will be indispensable.
Books in the Thinkers for Architects series come out of architecture. They pursue architectural modes of understanding, aiming to introduce a thinker to an architectural audience. Each author in the series – an architect or an architectural critic – has focussed on a selection of a thinker’s writings which they judge most relevant to designers and interpreters of architecture. Thinkers for Architects has proved highly successful, now with over ten volumes dealing with familiar cultural figures whose writings have influenced architectural designers, critics and commentators in distinctive and important ways. The series continues to expand, addressing an increasingly rich diversity of contemporary thinkers who have something to say to architects.