1st Edition

Toward a Just Pedagogy of Performance Historiography, Narrative, and Equity in Dramatic Practice

Edited By Charles O'Malley Copyright 2024
238 Pages
by Routledge

238 Pages
by Routledge

238 Pages
by Routledge

This book is a compendium of resources largely by and for artists and scholars interested in engaging in conversations of justice, diversity, and historiography in the fields of theatre and performance studies. For these students, and for the future instructors in our field who will use this book, we hold a tripartite hope: to expand, to enable, and to provide access. In its whole, we... Read more

Preface by Charles O’Malley


Interlude: What / How
by Willow James


Part One: Our Art


The Alternative Canon: A Collaborative Discussion Panel One: A Look at the Past
A Conversation with Sharai Bohannon, David Clauson, Monty Cole, Lavina Jadhwani, Coya Paz, Denise Yvette Serna, and Dan Smith


On the Move: A Methodology for Teaching Theater Histories of Latinxs in the Americas
by Nahuel Telleria

Roundtable on Teaching and Studying Asian Theatre in the American Academy
A Conversation with Arnab Banerji, Jyana S. Browne, Po-Hsien Chu, Tarryn Chun, Jennifer Goodlander, Claire Pamment, Shayoni Mitra, Yining Shang, and Satoko Shimazaki. Facilitated by Amanda Culp

Interlude: An Intimate Night with Theatrical Black Excellence.
by Cleopatra Mavhunga

Part Two: Our Field

The Alternative Canon: A Collaborative Discussion Panel Two: Practices for the Present
A Conversation with David Clauson, Monty Cole, Kee-Yoon Nahm, Coya Paz, Denise Yvette Serna, and Dan Smith


When We Meet: Intercultural Theatre Before and After the Coronavirus Pandemic
by Nikhil Mehta


Choosing the “Best” Translation for Plays Outside the Western Canon on the Syllabus
by Kee-Yoon Nahm


The Geography of Our Discernment: What it Means to Show Up as Our Full Selves
by Nithya Nagarajan and Zainab Syed


From Dissertation Page to Stage: Applying Graduate Studies to the Regional Theater Production Process
by Taylor Barfield


Responsible Gatekeeping: Or, Questions I'm Asking Myself
by Kari Olmon


Interlude: The Lesser of Two Evils(?): How Not To Create Spaces for Brown Trans Artistry
by Catherine Alam-Nist


Part Three: Our Teaching


The Alternative Canon: A Collaborative Discussion Panel Three: Toward Utopia
by A Conversation with Sharai Bohannon, David Clauson, Kee-Yoon Nahm, and Dan Smith


How Liberal Arts Theatre Programs Are Failing Their Students of Color
by Miranda Haymon


Interlude: Double Communication: Artist as Critic and Critic as Artist
by Lil Wenker


Close Reading: How Do Texts Perform?
by Ariel Sibert and Charles O’Malley


On the Ethics of Reading: A Suggestion and a Plea
by Charles O’Malley


Better Worlds through Pedagogy: A Vision for the Theater Classroom
by Jake Allen, Kyara Mahlan, and Kelli Shermeyer with contributions by Allison Bialas and Elyssa Armenta

Adaptation as Historiography: An Approach for Undergraduate Teaching
by Elise Morrison

Biography

Charles O'Malley is a writer and dramaturg.