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Visual Culture in Early Modernity


About the Series

A forum for the critical inquiry of the visual arts in the early modern world, Visual Culture in Early Modernity promotes new models of inquiry and new narratives of early modern art and its history. We welcome proposals for both monographs and essay collections that consider the cultural production and reception of images and objects. The range of topics covered in this series includes, but is not limited to, painting, sculpture and architecture as well as material objects, such as domestic furnishings, religious and/or ritual accessories, costume, scientific/medical apparata, erotica, ephemera and printed matter. We seek innovative investigations of western and non-western visual culture produced between 1400 and 1800.

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Siting Federico Barocci and the Renaissance Aesthetic

Siting Federico Barocci and the Renaissance Aesthetic

1st Edition

By Peter Gillgren
March 31, 2017

Focusing on what he calls 'the performative gaze', the author explores the artistic world of the Urbino painter Federico Barocci (1535-1612) in the context of Renaissance culture. Through analysis of Barocci's works, Gillgren also sheds new light on Renaissance aesthetic communication generally. ...

Renaissance Porticoes and Painted Pergolas Nature and Culture in Early Modern Italy

Renaissance Porticoes and Painted Pergolas: Nature and Culture in Early Modern Italy

1st Edition

By Natsumi Nonaka
March 02, 2017

This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the ...

Visual Culture and Mathematics in the Early Modern Period

Visual Culture and Mathematics in the Early Modern Period

1st Edition

Edited By Ingrid Alexander-Skipnes
January 23, 2017

During the early modern period there was a natural correspondence between how artists might benefit from the knowledge of mathematics and how mathematicians might explore, through advances in the study of visual culture, new areas of enquiry that would uncover the mysteries of the visible world. ...

Early Modern Merchants as Collectors

Early Modern Merchants as Collectors

1st Edition

Edited By Christina M. Anderson
December 05, 2016

Early Modern Merchants as Collectors encourages the rethinking of collecting not as an elite, often aristocratic pursuit, but rather as a vital activity that has engaged many different groups within society. The essays included in this volume consider merchants not only as important collectors in ...

The Early Modern Italian Domestic Interior, 1400–1700 Objects, Spaces, Domesticities

The Early Modern Italian Domestic Interior, 1400–1700: Objects, Spaces, Domesticities

1st Edition

Edited By Erin J. Campbell, Stephanie R. Miller, Elizabeth Carroll Consavari
December 02, 2016

Emphasizing on the one hand the reconstruction of the material culture of specific residences, and on the other, the way in which particular domestic objects reflect, shape, and mediate family values and relationships within the home, this volume offers a distinct contribution to research on the ...

Titian, Colonna and the Renaissance Science of Procreation Equicola's Seasons of Desire

Titian, Colonna and the Renaissance Science of Procreation: Equicola's Seasons of Desire

1st Edition

By Anthony Colantuono
November 30, 2016

Titian, Colonna and the Renaissance Science of Procreation demonstrates that two major monuments of Italian Renaissance culture - Bellini's and Titian's famous series of mytho-poetical paintings for the camerino of Duke Alfonso d'Este of Ferrara, and Francesco Colonna's Hypnerotomachia Poliphili - ...

Art and the Relic Cult of St. Antoninus in Renaissance Florence

Art and the Relic Cult of St. Antoninus in Renaissance Florence

1st Edition

By Sally J. Cornelison
November 16, 2016

Tracing the history of St. Antoninus' cult and burial from the time of his death in 1459 until his remains were moved to their final resting place in 1589, this interdisciplinary study demonstrates that the saint's relic cult was a key element of Florence's sacred cityscape. The works of art ...

Flemish and Dutch Artists in Early Modern England Collaboration and Competition, 1460-1680

Flemish and Dutch Artists in Early Modern England: Collaboration and Competition, 1460-1680

1st Edition

By Mary Bryan H. Curd
November 16, 2016

By examining their production practices in a variety of genres”including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving”this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties ...

Beholding Violence in Medieval and Early Modern Europe

Beholding Violence in Medieval and Early Modern Europe

1st Edition

Edited By Allie Terry-Fritsch, Erin Felicia Labbie
November 11, 2016

Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and ...

Rethinking the High Renaissance The Culture of the Visual Arts in Early Sixteenth-Century Rome

Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome

1st Edition

Edited By Jill Burke
November 11, 2016

The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can...

The Late Paintings of Velázquez Theorizing Painterly Performance

The Late Paintings of Velázquez: Theorizing Painterly Performance

1st Edition

By Giles Knox
October 31, 2016

The startling conclusion of The Late Paintings of Velázquez is that Diego Velázquez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the ...

Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni

Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni

1st Edition

By Pamela M. Jones
October 19, 2016

A social history of reception, this study focuses on sacred art and Catholicism in Rome during the late sixteenth and seventeenth centuries. The five altarpieces examined here were painted by artists who are admired today - Caravaggio, Guercino, and Guido Reni - and by the less renowned but once ...

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