Edited
By Bernard Brauchli
March 01, 1997
First Published in 1997. Seydelmann's four-hand sonatas are delightful pieces of music, written for the intimate pleasure of both performers. The two parts are consistently of equal technical difficulty and interest, the balance of the dialogue being carefully maintained throughout. They are ...
Edited
By Bernard Bauchili
March 01, 1997
First Published in 1997. Born in Dresden Germany, in 1748 Franz Seydelmann was an active music composer. He is principally known for his operas and church music, however he also wrote twenty-three sonatas, including seven solo harpischord sonatas, a Capriccio with variations and the Six Sonatas for...
Edited
By Carolyn C. Dunlop
August 01, 2000
A performing edition of nineteenth century Russian choral pieces by a range of composers in a variety of styles, this volume was prepared to accompany the book The Russian Court Chapel Choir by Carolyn C. Dunlop....
Edited
By Carolyn C. Dunlop
August 01, 2000
A performing edition of nineteenth century Russian choral pieces by a range of composers in a variety of styles, this volume was prepared to accompany the book The Russian Court Chapel Choir by Carolyn C. Dunlop....
By Carolyn C. Dunlop
August 01, 2000
This detailed account of the Kapella (Russian Court Chapel Choir) examines the influence it exerted on the development of Russian sacred music. The educational importance of the institution has always been overshadowed by the achievements of the St. Petersburg Conservatoire; Dr Dunlop investigates ...
Edited
By Simon Harris
November 01, 1998
This is a complete edition with critical commentary of the Byzantine Communions in thirteenth-century manuscripts of the Asmatikon, all known sources being used. The chants concerned are the earliest known examples of Communion Chants of the Orthodox Church, and are found in a book which may go ...
Edited
By Owen Rees
November 01, 1998
A facsimile of a previously unpublished musical manuscript. Among the major composers of the Portuguese Golden Age, Pedro de Cristo (c.1550-1618) is at present the least familiar to scholars and performers. This situation is largely due to the fact that his music was not published during his ...